So, no surprise, I’m still busy with a dozen different things, which means that it’s been a good long while since I’ve actually sat down with my DAW and really worked extensively on a comprehensive new track. That’s not to say, though, that I haven’t still been involved with music. It’s just been a different process, more quickly playing around with stuff on my phone or tablet when I’m on the go, or pulling up a program and trying out a quick idea in a spare minute. Or, for example, singing random weirdness into the new Music Notes program and seeing how surreal the accompaniment can get:
What that means is that while I don’t have a ton of really cohesive songs to post, I do have a whole bunch of myriad random sound clips, that nonetheless have some very interesting sounds to them.
Such as this quick improvisation in iKaosscilator:
Or a couple of really quick clips of how the same underlying sound can be dramatically different just by tweaking a few effects:
Speaking of which, I’ve been playing around with a lot of new experimental effects, which can do quite a lot with even a very simple two-note sequence:
And then, um, there are these…
So, yeah, that’s what I’ve been up to music-wise recently. Admittedly, among some of these various tracks are some other clips that I think have some promise as the basis of a more extensive work, which will be heading for my DAW likely at some point in this next year (assuming the US isn’t swallowed up in a ravenous vortex of vicious politics). I’m still playing around with sound, still making music, even if it is a little bit more… bite-size at the moment. (Oh, actually, I did come up with a more complete track recently… trouble is, it’s another one for the NSFAE album, which means I can’t exactly release it here.)
In other news, while I haven’t really had a chance to utilize it a whole lot yet, I finally, after years of delay, made the jump to Logic Pro X. Which does, admittedly, have some nice features, although it killed off all of my 32-bit plugins, some of which I do miss dearly, although some of the replacements are even more promising (for example, CamelSpace, from the Apple-devoured Camel Audio, was a nice and extensive trancegate plugin, but Tantra takes it to a whole other level). And, in the interim, I have to admit that my musical style and technique have changed quite a bit, so while I miss some of the old sounds, a lot of the newer instruments that still work are more directly applicable to the things I’ve been wanting to work on, including some phenomenal granular synthesis instruments I’ve been having fun with. Between that and the rather impressive mini-studios I’ve managed to get going on my tablet, there are more opportunities than ever to explore the boundaries of sonic character, and I already have some fascinating ideas about what I want to try next…